From the desk of Nuvira Technologies

A Middle Assyrian psalm of similes (KAR 138)

A reading, published with its checks still open. A Vigslist translation.

October 22, 2026 · VAT 9959

A Middle Assyrian psalm of similes (KAR 138). A psalm built of similes.

Published as a reading. No first-translation claim is made for this piece. The checks that would settle such a claim are named in the notes below and are still open; the wording on this page claims nothing they have not settled.

A Vigslist translation — witness reading. Status: published reading, claim withheld. Built 2026-10-22 from the live eBL record; the checks named on this page are still open.

The tablet

The claim, stated with its doors on the face

WITHHELD. The live eBL record serves a transliteration and lists three references, none of them an edition: the KAR hand copy; Borger's Handbuch note, which can only guess the genre — "Busspsalm?" ("penitential psalm?"); and Pedersén's archive catalogue, which calls it a "psalm." It carries zero EDITION references and zero #tr.en translation lines. One further citation stands in the record's uncurated references and is printed here as a door, not hidden: Christina Hess's 2013 Heidelberg dissertation (p. 417) cites this tablet — a linguistic dissertation citing a Middle Assyrian text for its language is a discussion, not an edition, but the page is owed a formal eyeball in the print-check wave. The desk print check (2026-10-22) located no edition and no translation of this text in any language.

What it says

What survives is the skeleton of a psalm. One face runs on a drumbeat of similes — kīma, "like…," opening line after line (2′–6′, 9′) — the comparison machinery of the penitential psalms, where the sufferer measures himself against thing after thing. Then the imagery turns public: a drink "fitting for the people," "the festival of the people," and an address to "my lord" — adī šuāte bēlī, "until then, my lord." The other face opens on the flood (abūbu), cries "crush me!", turns on "you" — turīḫamma atta, "you turned back" — and keeps returning to the speaker against the crowd: "the people — as for me…", "as for me, the days…", "show me!", "when…?", "damage…" A single voice, wronged or stricken, speaking to a god who has turned away. Borger's question mark stands: a penitential psalm is the best name the record has, and it is a guess.

How to read this page

The transliteration is the eBL record's, reproduced as served. The record itself marks both faces with a question mark (@obverse?, @reverse?) — which face is which is not certain on this fragment, and the uncertainty is kept on the page. Brackets [ ] are breaks in the clay; # a damaged sign. The English renders what is actually on the clay and nothing else. Lines too broken to carry sense are given as traces and say so.

The text

Counts: 31 line-units — 0 whole, 8 part, 23 fragments, 0 invented.

First face (record's "obverse?")

1′. bil-[…] (fragments — a word's beginning; the rest is gone)

2′. ki-ma […] "Like […]" (fragments — the simile's frame alone survives; what he was like is broken away)

3′. ki-ma x […] "Like […]" (fragments — same frame, same loss)

4′. ki-ma x […] "Like […]" (fragments)

5′. ki-ma x […] "Like […]" (fragments)

6′. ki-ma qut-[ri …] "Like smo[ke …]" (fragments — qutru, "smoke," begins the comparison; its completion is lost. The psalmist as smoke is a known penitential image, but this page does not restore it — the clay gives the word's head only)

7′. UGU mar-[…] (fragments — "upon… bit[ter?…" — marru can be "bitter" or "spade"; the line cannot choose, so this page does not)

8′. eš-ru la+a […] (fragments — traces; ešru is "tenth" or "tithe," and the line will not carry more)

9′. ki-ma li#-[…] "Like […]" (fragments — the frame again, the compared thing broken at its second sign)

10′. ul i-di […] "He did not know […]" / "I do not know […]" (fragments — ul īdi, "does/did not know"; the subject is lost with the line's end)

11′. a-pa-ta-an i#-[…] (fragments — apātān, "late (pl.)…"? the reading is too damaged to render a sense; given as trace)

12′. ku-ru-nu DUG₃.GA […] "…kurunnu-drink, fine […]" (part — kurunnu, a fine drink; ṭābu (DUG₃.GA), "good/fine." A banquet word in a psalm of similes; the sentence around it is broken)

13′. si-mat UN-MEŠ […] "…fitting for the people […]" (fragments — simat nišī, "what befits the people"; one phrase, honestly kept as a phrase. The record notes a parallel: cf. LKA 1, I.11)

14′. i-si-na ša₂ UN#-[MEŠ …] "The festival of the peo[ple …]" (part — isinnu ša nišī, "the festival of the people" — the psalm's gaze lifts from the sufferer to the city's feast)

15′. a-di šu-a-te be-li₂ […] "Until then, my lord […]" (part — adī šuāte, "until then"; bēlī, "my lord." The prayer turns and speaks to the god directly)

16′. tu-kal-la šu-ni-x […] "You hold back his […]" (part — tukalla, "you hold back / you restrain"; the thing held back is broken at the line's end)

17′. ša u₄-me ši-ni-[…] "…of the day of […]" (fragments — ūme, "day," with a qualifier beginning šinī-; no more survives)

18′. [U₄? I]TI id-x […] (fragments — a month/day notation, traces only)

19′. [x] x-te x x […] (fragments — traces only)

Second face (record's "reverse?")

1. [a?]-bu-bu# an-x […] "[…] the flood […]" (fragments — abūbu, "the flood," the storm-flood of divine anger; the line around it is lost)

2. [x]-i-tu u₃ ḫu?#/ri?#-ki?#-[…] (fragments — "…and…" and damaged signs; no sense can honestly be drawn)

3. [x]-ḫaṣ-an-ni a-a-ši […] "[…] crush me — me!" (part — ḫaṣanni, "crush me!"; ayyaši, "me" — the emphatic pronoun. The sufferer's cry, two words and intact in sense)

4. tu-ri-ḫa-ma at-ta x […] "You turned back, you […]" (part — turīḫamma atta: "you turned away — you." The god addressed in reproach)

5. ni-ši a-di ia-e […] "The people — as for me […]" (part — nišī, "the people"; adī ia'e, "as for me." The crowd on one side, the speaker alone on the other)

6. a-di a-ia-e u₄-me […] "As for me — the days […]" (part — the same turn again: adī aya'e, "as for me"; ūme, "the days." His days, against theirs)

7. x-si-ma si-[…] (fragments — traces only)

8. [x]-šu GIŠ.ḪUR x […] (fragments — GIŠ.ḪUR is uṣurtu, "plan/drawing"; too little survives to say whose)

9. [k]ul₂-li-ma-ni […] "Show me […]!" (fragments — kullimanni, "show me," a single imperative; kept as the single word it is)

10. [i]m-ma-te […] "When […]?" (fragments — immāte, "when?" — one interrogative word, the psalm's question hanging)

11. [x] ḫi-bil-[te? …] "[…] damage […]" (fragments — ḫibilte, "damage, loss" — the sufferer's ledger-word, broken at its end)

12. x […] (fragments — one sign; the rest of the face is broken away)

Dragon and serpent scan

None. No ušumgal, no muš, no mušḫuššu, no bašmu, no ṣerru appears anywhere in the served text.

Credits

Copy: Erich Ebeling, Keilschrifttexte aus Assur religiösen Inhalts I (WVDOG 28, 1919), no. 138. Genre note: Rykle Borger, Handbuch der Keilschriftliteratur I (1967), p. 103 — "Busspsalm?" Catalogue: Olof Pedersén, Archives and Libraries in the City of Assur I (1985), p. 22 — "psalm," archive N 1: 50. Transliteration: the eBL Fragmentarium record for VAT 9959 (CC BY-SA 4.0), pulled live 2026-10-22; no editor named on the record. Door left open on the face: Hess, Die mittelbabylonische Standardformel… (Heidelberg dissertation, 2013), p. 417. This reading: the program's, built from the served transliteration only.

Vigslist translations — AI-assisted, cross-checked against the record. Working reading; not yet published.

Nuvira Technologies conducts this research with AI assistance, cross-verified against the primary sources to scholarly integrity standards. Uncertain readings are marked; broken lines are left broken.

— Richard Vigslist, Founder, Nuvira Technologies


More antiquities research: Antiquities Research

← Back to Nuvira Technologies